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rtsom rig gi sgra'i snyan cha'i sdeb sbyor skor cung gleng ba

Author Analyticsmad pa'i dkon mchog skyabs
Title Analyticrtsom rig gi sgra'i snyan cha'i sdeb sbyor skor cung gleng ba
Additional Contributors
Journal Titlebod ljongs zhib 'jug
Translated TitleA discussion of literary mellifluousness
Date2000
Volume
Issue1
Pages29-39
Subject
Item Type
AvailabilityLatse
ISSN1002-946X
Notes
Abstractrtsom rig gi skad cha ni skad cha'i sgyu rtsal gyi tshad mtho shos yin phyir/ don nyams las gzhan sgra'i snyan cha legs po thon dgos/ sgra'i snyan cha ni sdeb sbyor la brten dgos pa dang/ sgra'i snyan cha la gtso bo ngal gso gcod mtshams gsal ba la srog che chung gi sdeb sbyor/ ngag bde ba la skye gnas 'byung khams kyi sdeb sbyor/ dbyangs 'gros yod pa la sgra'i lci yang gi sbyor tshul/ rnar 'jebs pa la cha ya'i sdeb sbyor/ lhu tshigs 'byor ba la tshig phrad sbyor tshul/ snyan cha thon pa la sgra rgyan gyi sbyor tshul bcas sgra'i snyan ro thon byed phyogs drug brtson dgos pa bstan yod/ Starting on the premise that literature is the art of language, the author argues that pleasant sounding literature depends on the way words are combined. He discusses six different techniques for creating pleasant sounding literature, including the use of caesura, combing words so that they can be pronounced easily, the use of melody and attention to the relative heaviness of the sound, and so forth.
Keywordsrtsom rig/sgra'i snyan cha/srog che chung/skye gnas 'byung khams/sgra'i lci yang/tshig phrad/sgra rgyan/literature/me long/snyan ngag/kavyadarsa